Presale passwords are utilized at Live Nation and Ticketmaster to allow spectators to buy tickets for events before they are available to the general public. Presale tickets are offered to members of the newsletter, members of the fan club and on occasion some other social groups such as users of Spotify.
A number of presale codes will only actually work for folks who buy with American Express or other specific credit cards, the presale will only be usable for folks with an Amex so that they can get hold of the tickets.
CITI does the same things and provides cards that can be used in a CITI presale to buy quantities of tickets when you’ve got the proper type of credit card (one provided by CITI).
The main reason for a presale is to obtain tickets. You have to have a password to shop for tickets in a presale. There are a few really great places to look for a password for the presale which you’re currently interested in.
The most effective sources we have discovered for presale tickets up to now is WiseGuys Presale Passwords
For a long time, they’ve been publishing presale password info – they’re able to help you to buy early tickets and they offer a refund guarantee.
Ticket buyers quite often ask questions such as “How many of the tickets are left for the public to buy when all the presales are finished?” or “Exactly how many tickets are typically in a presale?”
Actually, the industry does not publicly broadcast how many tickets are going to be made available to CITI and Amex cardholders. Once Facebook and Twitter offer accounts for several thousand, the venue email newsletter consumes a few thousand more. Every band has a fan club and those members get the really good seats near the stage – unless the band decides to sell them directly to brokers for some quick cash.
After that – there are not many tickets remaining.
Oftentimes as little as ten percent of tickets are sold to the general public for a concert.
Why is the public offered so few concert tickets in the on-sale?
According to our investigation, there are a number of aspects which have an impact on why promoters allocate their tickets this way: Increasing their bottom line is unquestionably high on the list. Folks need to make a profit, and concert promoters aren’t any exception.
Quite often bands shout “it’s all about the music” yet you don’t hear them protesting when they’re playing to jam-packed arenas and million-dollar paydays.
These stories go into great depth about the questionable practices at work in this industry. Without taking advantage of a presale to acquire tickets you do not really stand much of a chance.
The moral of the story: Public Sales are beaten hands down by Presales.
To have the best chance of obtaining tickets, never lose time waiting for the public tickets to go on sale. Get your tickets early doors and be delighted you’ve got a seat to see your favorite band. If you want to really push the boat out, you can acquire a few tickets in the presale, try and acquire others in the public on-sale and IF you can list the others for sale, you should make a little bit of profit for yourself.
With the demand increasing and prices rocketing even higher you will be delighted to make it through the doors of an event these days and if you can subsidize the fee for your tickets by simply turning into a ticket reseller yourself, hats off to you!
Just how many tickets are included in the pre-sales?
Justin Bieber and his promoter allocated ninety percent of tickets to presales, specific credit card holders, insiders and fan club members.
An feature in the New York Post reported:
Desperate fans who were shut out of the sold-out July 2nd One Direction concert at the Izod Center were very dissatisfied – even shattered.
Even before the tickets were offered to the open public, only a tiny fraction of the 13,687 concert tickets – only 32% (4,474) was offered to the regular fans. The greater part had long been set aside for insiders, band members, fan club members and presales.
Whilst the average fans are mostly left in the dark regarding ticket distribution (and it is easy to see why), the majority of the concert tickets are allotted to talent agencies, record labels, fan clubs, the artists and tour sponsors, as laid out by the Washington DC-based coalition Fan Freedom Project, supported by StubHub.
No tickets are available to buy for the average fans in the public on-sale.
In an example from 2011, LCD Sound system did a tour. Now, when a popular band like this decides to go on tour or stage a residency, a promoter like Bowery Presents or Live Nation handles them.
The promoter will help to figure out the venues where they will hold gigs, and even more importantly, how seat tickets are going to be priced and distributed, quite often by way of allotments (hold) for industry insiders and presale packages for credit card companies like American Express and CITI Financial.
The vast majority of concert tickets are secured like this, and usually, just 46% of tickets remain for the public and fans.
People get enraged once they discover just how few tickets are allocated for the public.
So, what becomes of the remaining portion of the presale seats?
The gig venue ie Madison Square Garden or Brooklyn Steel or whichever will get a piece of the fees and ticket sales, whilst the ticket sellers – Ticketmaster, Axa or Ticketfly – act as the chief market place, generating their profits from their various charges for some $25 billion each year.
These principal ticketing companies normally let, or even motivate, purchasers to sell on concert tickets, on their own platforms. What this means is that the company makes money from both sales. Double-dipping wouldn’t you say? Maybe, it depends on who you put the question to.
It is the insiders who cause most of the troubles by securing heaps of tickets at face value but who re-sell those tickets on sites like Ticketmaster or StubHub.
Good luck, don’t forget, if you can, buy your concert tickets early by using WiseGuys Presale Passwords